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Review by yEEt_1331
The level of patience demonstrated by the band is unparalleled, no rushing through sections or constant key changes, which sometimes feels like a ripcord but without going for a different song if that makes sense. It’s been the only thing that’s sorta bothered me about a good amount of Phish’s jamming since 2022 especially, but none of those problems are present here. Everything here is fully fleshed out.
The beginning section of the jam (6-18 mins) is like floating peacefully on a cloud that slowly builds into a raging thunderstorm. The middle section (18-27 mins) is groovy but has a darker sentiment to it and gradually breaks down into chaotic disarray, which bleeds into the final section (28-39 mins) of pure EVIL.
Trey weaving hellacious licks between bubble effects with the M5 modeler is something only Trey can pull off, with Fish adding echoing drum fills. After a big pitch bend-laden peak Trey hits a cascading pitch sweep into a heavy metal-like riff and it all meshes together perfectly. The wind down and > into Beneath a Sea of Stars is impeccable.
This is the Phish that I know, yet it sounds unlike any jam they have ever played, and I hate to say it but they didn’t come close to matching it all summer. Whatever you are looking for in a jam, it is here. Jam of the Year, and possibly the decade.